
Drama IA and IB
This course sequence introduces the forms and elements of drama and addresses two principal questions: How does theater represent an effective expression of culture and history? And, how can I communicate
authentically through this medium? Students in Drama 1A begin by exploring the structure and functions of drama across early civilizations (Mayan, Aztec, Hindu, Buddhist, Greek, Roman) and the Middle Ages.
Drama 1B includes exploration of Renaissance theater, Commedia del Arte, 19th-century Romanticism and Realism, and 20th-century movements. Students learn to compare and contrast a diversity of theories of
movement (LaBan, Alexander, Grotowski, and Suzuki) and vocal training, and they incorporate these into their daily practice. Improvisational skills are cultivated throughout each term and will become both an
outlet for creative energies and a forum for experimentation in character and scene development. Participation in scenes, preparation of monologues, and attendance at (and critique of) one or more professional
theatrical performance per term are all required.
Intensive Performance Workshop
This advanced performance course begins with intensive scene study and directing theory. Delving, in turn, into Stanislavski, Meisner, and Viewpoints theory, students develop and perform three assigned scenes.
Focus then turns to improvisational work in acting, dance, and music as students begin to study the origins and mechanics of entertainment. Through these explorations, students develop a program of original material.
They will then integrate their knowledge and collaborate in the writing, editing, design, and production of their own culminating Cabaret. Texts: The Physical Comedy Handbook, David Rider Robinson;
Impro, Keith Johnstone; various scripts and excerpts.
Jazz Ensemble IA and IB
The Jazz Ensemble sequence of courses seeks to develop students' instrumental skills and music appreciation as reflected in a popular jazz repertoire. No prior instrumental experience is necessary. Students will
learn the harmonic and melodic devices used in all of Western music, and explore the vocabulary that musicians use to communicate with one another. The class will hear and analyze a selection of jazz masterpieces.
An evening field trip to a jazz club each term is a highlight of the course. As an ensemble class, participation in a final music performance is required.
Jazz II
This is a performing ensemble class for students who have mastered an instrument and are familiar with the basics of jazz improvisation. Students will increase their repertoire of standards, hone their
rhythmic and harmonic vocabulary, improve their performance skills, and enrich their knowledge of jazz history. Students will also hear live music at a jazz club at least once in the trimester. As with the
Jazz I sequence, participation in a final music performance is required.
Music Composition
Music Composition is for students who are interested in writing songs, scoring instrumental pieces, and learning the fundamentals of music theory. The class will practice composing melodies, putting melodies to
harmony, and putting words to music. Students will learn strategies for notating their compositions and also study some of the software that is available to composers. Finally, students will examine the theory
behind their songs and some of the great pieces of music from Gregorian Chants to the Beatles. No experience necessary.
Electronic Music Studio I and II
Bay's Electronic Music Studio courses represent a comprehensive introduction to the production of hip hop music, specifically using Reason and Pro Tools software packages. Though this course
focuses specifically on hip hop, techniques learned with Reason can be applied to the creation of pieces in a variety of musical genres. The class will explore the fundamentals of Digital Audio
Workstation software; experiment with advanced sampling; work with reverbs, delays, compressors, and equalizers; use Mastering Plug-Ins on mixes; and practice recording and editing vocals. Throughout the production
process, students will learn about a variety of styles of hip hop music spanning both time periods and regions of the U.S. Guest lecturers will include local hip hop producers, offering their time and expertise to
further our collective knowledge of hip hop production. As members of the class complete songs, they will be aired for the school community through podcasts.
Dance in a Cultural Context IA: Hip Hop
Dance IA is a lecture and movement course designed for students who are interested in learning the fundamental elements that define hip hop culture. Students will develop a knowledge and understanding of
hip hop culture by examining four major elements that encompass this art form: movement style (dancing), creative verbal expression (lyrics), sound composition (mixing and sampling sound, dj-ing), and composition
of music videos and graffiti art (visual). In lectures and discussions, students will critically examine and question hip hop culture in terms of its historical evolution and its direct effect on American society.
Students will participate by learning hip hop dance technique and will be introduced to diverse regional styles including break dancing, East Coast wave and slide, West Coast popping and locking, improvisation and
choreography. Students will participate in an end-of-term production that culminates in a final dance performance, spoken word performance, and a group music video production.
Dance in a Cultural Context IB: Black Dance in America
In Dance IB, students explore historical connections as to discover how African Culture significantly impacted the art and popularity of dance in America. Students will practice and learn new techniques
and develop a working vocabulary in Tap, Jazz, and African Haitian dance, as they deepen their locomotor and coordination skills. Students will develop an understanding that most popular American dances
were direct descendants of traditional and ritual dances brought over by slaves of Africa. Students will also be introduced to pivotal African artists, performers, and choreographers who made a great impact on
dance despite the challenges of poverty and racism. The class will attend live performances of African-related dance ensembles and have guest artists lecture on related topics. The course culminates in a public
dance performance.
Athleticism and Dance
This is a lecture and movement course designed for students who are interested in sports, movement, teamwork, dance and choreography. This course explores the fundamental elements of movement and dance that are present in all major sports, and applies these movements to Hip Hop and modern dance technique and choreography. Students study the choreography of baseball, football, basketball, tennis and rock climbing as well as the history of male and female dance choreographers with an inclination towards athleticism in dance. Students examine the historical evolution of each sport covered and contemplate gender issues relating to sports and dance. Students will gain knowledge and participate in movement that expands their locomotor skills and co-create choreography for a final production at the end of the trimester. The class will also observe local dance companies that fuse athleticism and dance and experience guest artists in the classroom.
Feminism and Modern Dance
This course examines the history of the feminist movement in America through a socio-political lens and through the movement of the great women choreographers of the 20th and 21st century. Students will investigate issues related to women’s bodies in our culture. They will explore their own body image and self-identity and will critique the mass media’s portrayal of women. This class is part lecture and will also include three modern dance/choreography classes weekly. Students will experience guest teachers from the local dance community as well attend professional dance performances. The class will culminate in a final performance. Male students are welcome! No prerequisite.